Emma describes the problem with her life in a scene at mealtime. The meals, in fact, symbolize her complete distain, as all the "bitterness of existence" seems to be heaped on her plate. The smell of the boiled beef mixes with the odors of sickliness that arise from her soul. The image of the plate is her flat, boring, unchanging life.
To escape this mundane life, Emma opens the window of life to see what could await her. When she has one of her anxiety attacks, she closes herself up in her room, but then, "stifling," throws open the windows. Frustrated by a mixed feeling of guilt at what she did and contempt for her husband, "She went to open the window... And breathed in the fresh air to calm herself." This same symbol of the window is expressed when Rodolphe abandons her: the shutter of the window the looks over the garden remains forever closed. The desire to stop living -- "She would have liked not to be alive, or to be always asleep" (PAGE?)
In the Death of Ivan Ilych both Ivan and his wife, Praskovya, see the problems with their societal demands. Praskovya is relegated to a household to be a wife and mother when her husband is rarely at home. When he does come home, the two have no relationship and have grown to dislike one another. Meanwhile Ilych believes that he is striving in the right direction has the desires and values that society accepts and appreciates. He pushes to climb the ladder and grow in his field. The narrator describes him as "a capable, cheerful, good-natured, and sociable man, though...
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